The innovative and international aspects of Unified Silla culture are particularly evident in the area of sculpture. The people of Unified Silla quickly assimilated Buddhist art trends from Northeast Asia and beyond, incorporating them into their own rich sculptural tradition. Presenting a wide range of sculptural works from the Unified Silla Period, this book aims to systematically examine how the field developed and changed over time. It is hoped that this text will benefit scholars and students of Unified Silla sculpture, as well as general readers seeking to indulge their curiosity of this remarkable artistic age.